• Abdul Abdullah, An unexpected change in plans, 2024, oil on linen, 198.1cm x 162.5 cm
  • Abdul Abdullah, Watching to see what happens, 2024, oil on linen, 198.1 x 162.5 cm
  • Ayka Go, piece by piece, 2024, Oil on canvas, 121.92 x 91.44 cm
  • Alvin Ong, Ballad, 2023, oil on canvas, 200 x 260 cm
  • Alvin Ong, Jay, 2023, oil on canvas, 150 x 120 cm
  • Alvin Ong, Spoon, oil on canvas, 2023, 150 x 120 cm
  • Brook Andrew, Time VI, 2012, mixed media on belgian linen, 180 x 180 cm
  • Karen Black, Tidal wave, 2023, oil on canvas, 183 x 152 cm
  • Karen Black, Falling in to you, 2023, oil on canvas, 184 x 152 cm
  • Patricia Eustaquio, Source (Archive 2016, Image 7546), 2024, oil on canvas, 122 x 106.7 cm
  • Vincent Namatjira OAM, Albert and Vincent, 2024, acrylic on linen, 91 x 244; 91 x 122 cm each (diptych)
  • Vincent Namatjira OAM, Royal self-portrait, 2024, acrylic on linen, 198 x 244 cm
  • André Hemer, Troposphere (Puglia, October 11 15:28 CEST), 2024, acrylic, pigment and silica on canvas, 60 x 40 cm
  • Isable and Alfredo Aquilizan, Settlement III (After In-Habit: Dwelling Series,2020, cardboard, 132 x 132 x 12.7 cm
  • Curtis Talwst Santiago Isar Swans enjoying the first München snowfall, 2024, Mixed medium in reclaimed jewellery box , 5 x 4.5 x 6 cm
  • Curtis Talwst Santiago, Midnight Serenade: Lamb and Dog's Moonlit Plunge, 2023, paper, wood, porcelain, acrylic, human hair, plastic, oil paint, plant: matter, clay, aerosol in reclaimed jewellery box, 10 x 8.5 x 7.5 cm
  • Curtis Talwst Santiago, Egypt Arkansas, 2023, mixed media diorama in reclaimed jewellery box, 7 x 7 x 7 cm
  • Curtis Talwst Santiago, Deluge XI, 2023, plastic, epoxy putty, acrylic paint, oil paint, laser etched mirror in reclaimed jewellery box, 13.3 x 13.3 x 15.25 cm
  • Curtis Talwst Santiago, Deluge 2035 Return to the Motherland, 2023, plastic, epoxy putty, acrylic paint, oil paint, gold leaf, laser etched mirror in reclaimed jewellery box, 27.9 x 17.8 x 22.9 cm
  • Curtis Talwst Santiago, What sense does this make for these two mornings to exists side by side, 2024, mixed media diorama in reclaimed two tiered jewellery box, 19 x 19 x 25 cm
  • Caroline Rothwell, Portal, 2024, bronze, 62 x 35 x 31 cm, Edition of 3 plus 1 AP
  • Madeleine Pfull, Bluff 2, 2024, oil on linen, 170 x 150 cm
  • Pinaree Sanpitak, The Vessel, 2024, stainless steel, 78.5 x 200.8 x 91.5 cm, edition of 5 + 1 AP
  • Pinaree Sanpitak, vessel 1,2000, charcoal, pencil, pastel on paper, 150 × 200 cm
  • Pinaree Sanpitak, Vessels, 2000, monoprint, pastel on paper, 23.9 × 31.8 cm
  • Pinaree Sanpitak, Vessels, 2000, monoprint, pastel on paper, 23.9 × 31.8 cm
  • Pinaree Sanpitak, Vessels, 2000, monoprint, pastel on paper, 23.9 × 31.8 cm
  • Pinaree Sanpitak, A Pot A Pan and A Stove, 2022-24, paper, needle, brass, metal, Dimensions variable; Shelf: 60 x 30 cm
  • Pinaree Sanpitak, Spouts, 2022, paper, needle, terracotta, metal, Sculptures: 15 x 18 x 16 cm; 24 x 18 x 13.5 cm; Shelf: 60 x 30 cm
  • Pinaree Sanpitak, A Mix Family, 2021-2023, paper, needle, metal, Sculptures: 27 x 19 x 13.5 cm; 10 x 12 x 8 cm; 7.5 x 12 x 8 cm; 9 x 12 x 8 cm; 8.5 x 12 x 8 cm; Shelf: 60 x 30 cm
  • Pinaree Sanpitak, The Flat Basket, 2023, paper, needle, rattan, metal; Sculpture: 22.5 x 32 x 15 cm: Shelf: 60 x 30 cm
  • Pinaree Sanpitak, Balancing Lady, 2024, paper, needle, metal, Sculpture: 26.5 x 12 x 9.5 cm; Shelf: 30 x 30 cm
  • Pinaree Sanpitak, Lotus Lady, 2024, paper, needle, glass, metal, Sculpture: 51.5 x 11.5 x 10.5 cm; 11 x 6.5 x 6.5 cm; Shelf: 30 x 30 cm
  • Brook Andrew, Galang-galang (locust), 2007, ink and cotton, 170 x 110 cm
  • Brook Andrew, Time VI, 2012, mixed media on belgian linen, 180 x 180 cm
ARTFAIR

Art Basel Hong Kong 2024

Hong Kong Convention & Exhibition Centre
1 Harbour Road
Wan Chai
Hong Kong, China
Booth 1D43 / Encounters EN4

28 – 30 March

Ames Yavuz  is pleased to announce its participation in Art Basel Hong Kong 2024 with a three-part presentation in the following sectors: Galleries, Kabinett and Encounters.

Our Galleries booth presentation includes large-scale paintings by prominent Aboriginal Australian artist Vincent Namatjira OAM, coinciding with his survey show at the National Gallery of Australia. Highlights also include Abdul Abdullah’s playful canvases that subvert the romance and kitsch aesthetic of AI-generated imagery, as well as luminous and diaristic self-portraits by notable figurative painter Alvin Ong.

We will unveil recent paintings by Karen Black, Ayka Go, and André Hemer. Madeleine Pfull and Curtis Talwst Santiago make their debut with the Gallery, including the latter’s startling miniature dioramas set in reclaimed jewellery boxes. Husband-and-wife artist duo Isabel and Alfredo Aquilizan, Caroline Rothwell and Pinaree Sanpitak present sculptures that embody the global scope and conceptual breadth of the Ames Yavuz program. Brook Andrew completes the booth with a work from his acclaimed Time series, which transforms a found postcard of Aboriginal dancers from c.1900.

As part of the Kabinett sector, Ames Yavuz presents an important solo installation of works by celebrated Thai artist Pinaree Sanpitak. One of the most important female artists in Asia, Sanpitak has been critically lauded for her seamless weaving of the sacred and the profane. This presentation brings together new and historic works curated to reflect the artist’s ongoing captivation with forms of the vessel, breasts, offering bowls and Buddhist stupa. Showcasing drawings, prints and sculptures rendered in hard metals and gossamer-like mulberry paper, Sanpitak’s works offer a rich sense of being enmeshed in the subjectivities of the body, both private and public.

As part of the Encounters sector in a joint showcase, Ames Yavuz and Silverlens present White Lies, a monumental woven tapestry by Filipino artist Patricia Perez Eustaquio. The towering monochromatic textile continues Eustaquio’s ongoing series featuring historical images reworked and reinterpreted through photography and digital loom. This new work highlights the complexity of Eustaquio’s material processes as well as the conceptual entanglements of her subjects through the language of costume and dress-up, examining fraught colonial histories and their longstanding implications.

Visit us at Booth 1D43 for Galleries and Kabinett, and EN4 for Encounters.