• Korakrit Arunanondchai, After, 2025, Metallic foil on Bleach denim on inkjet print on canvas, 150 x 130 cm. Image courtesy of the artist and BANGKOK CITYCITY GALLERY.
  • Chemi Rosado-Seijo, The South’s kisses (Los Sures se besan), 2025, Acrylic paint and natural materials, framed in Teak, 53.3 x 64.8 x 2.5 cm
  • Chemi Rosado-Seijo, From when the Caribbean was the center… (De cuando El Caribe era el centro…), 2025, Acrylic paint and natural materials, framed in Royal Palm wood, 63.5 x 58.4 x 2.5 cm
  • FX Harsono, The Shadow of Hope, 2025, Gum oil print, 80 x 103.5 cm
  • FX Harsono, Those Who Fight to Make Their Dreams Come True, 2025, Gum oil print, 80 x 120 cm
  • Vong Phaophanit and Claire Oboussier, Les Beaux Restes, 2024, Manducated bones (2005 – 2024) cast in pewter and surface conditioned
  • Vong Phaophanit and Claire Oboussier, Endless the series of things without name, 2025, Dimense, UV and latex print on Dimense proprietary paper mounted on DILITE, 84.1 x 59.4 cm, Edition 1 of 10 + 3 AP
  • Screenshot of Pam Virada, Seaside Highway, 2025, Glass, privacy film, laser cut lettering and video projection 70 x 120 cm, 1 min 44 sec
EXHIBITION

Korakrit Arunanondchai, FX Harsono, Kumari Nahappan, Vong Phaophanit and Claire Oboussier, Chemi Rosado-Seijo, Pam Virada 

Tropic of Perception

Curated by John Tung

10 May - 21 June

Tropic of Perception explores the shifting nature of perception—how environments, histories, and sensorial experiences shape the way we see and understand the world. The exhibition considers how states of flux, transition, and transformation impact memory, identity, and knowledge production. Through a variety of media, the artists in this exhibition engage with questions of materiality, temporality, and the slippages between the real and the imagined. 

The title suggests a geography not of place, but of thought—a mental and emotional terrain where perception is altered, destabilized, and reconfigured. This exhibition unfolds as a space where material and immaterial forces collide, generating new ways of seeing and understanding. It invites visitors to interrogate their own perceptual processes and the conditions that shape them. How do cultural narratives, environmental conditions, and embodied experiences mediate what we see and how we make meaning? In an age of rapid change—whether technological, ecological, or sociopolitical—the exhibition poses perception itself as a site of negotiation, where reality is fluid, constructed, and open to revision. 

Bringing together artists who work across different registers of materiality, temporality, and mediated experience, Tropic of Perception blurs boundaries between presence and absence, visibility and obscurity, certainty and ambiguity. It considers perception as a dynamic, ever-evolving landscape—one that is not fixed but in constant motion, where meaning is formed in the act of seeing and re-seeing.