“A Shared Narrative of Connection and Cultural Exchange” – Vincent Namatjira’s ‘King Dingo’ on The Local Project

31 Aug 2024

The Local Project has published an article by Sarah Web, highlighting Vincent Namatjira’s King Dingo exhibition at Ames Yavuz. In this latest series of major paintings, the artist reimagines the dingo—an important figure in Indigenous culture—as a regal monarch.

Namatjira’s paintings, characterised by wit, offer a playful yet profound commentary on power dynamics, symbolising a reversal of traditional hierarchies. He states, “These new paintings are about a reversal of colonial power and ownership. King Dingo represents Aboriginal strength, pride, and resilience, as well as respect for Country, culture, and Indigenous leadership, past and present. Long live the king!”

Additionally, the artist has invited Alec Baker and Eric Barney, from his community in Indulkana, to present their own works, further enriching the exhibition’s narrative of connection and cultural exchange. Baker, a respected elder, and Barney, a rising talent, contribute to the dialogue between modern and traditional Indigenous art.

As Web describes, “These works, encapsulating Ngura (Country), reflect a shared narrative of connection and cultural exchange.” She adds that Namatjira’s King Dingo “promises to engage audiences with its powerful commentary on Indigenous leadership and cultural resilience.”

Image: Installation view of King Dingo, Ames Yavuz, Sydney, 2024. Photographed by Felipe Olivares Barreto. Courtesy of the artists and Iwantja Arts.