• Installation view of Jason Wee, Cruising, 2021, Yavuz Gallery, Singapore
  • Jason Wee, …What Kind Of Futures Can We Imagine…, 2021, primed oxidised steel, paracord, spray paint, emulsion paint, dimensions variable
  • Jason Wee, Aromatics (Edit), 2021, primed oxidised steel, paracord, rubber, emulsion paint, watercolor on paper, cotton chunky yarn, dimensions variable
  • Jason Wee, Cruising to Nowhere, 2021, Digital drawing, c-print on canvas, emulsion paint, 30 x 180 cm
  • Jason Wee, Constellations (Tanjong Rhu), 2021, digital drawing, UV print on gold dibond, 60 x 30 cm
  • Jason Wee, Uncommon Choreographies #26 (Crowdsource), 2021, laminated chromogenic print on Forex board in ash wood frame, 50 x 82.5 cm (artwork); 53 x 87 x 3.4 cm (framed)
  • Jason Wee, Uncommon Choreographies #25 (Changi), 2021, laminated chromogenic print on Forex board in ash wood frame, 50 x 82.5 cm (artwork); 53 x 87 x 3.4 cm (framed)
  • Jason Wee, Uncommon Choreographies #22 (Left Turn & Blossom), 2021, laminated chromogenic print on Forex board in ash wood frame, 82.5 x 50 cm (artwork); 87 x 53 x 3.4 cm (framed)
  • Jason Wee, Uncommon Choreographies #17 (Out Running), 2021, laminated chromogenic print on Forex board in ash wood frame, 82.5 x 50 cm (artwork); 87 x 53 x 3.4 cm (framed)
  • Jason Wee, Labyrinths (Living Rooms), 2017, galvanized steel, polyester print, C-print on PVC, teak laminate on plywood, watercolour on cold press paper, mirrors, etched aluminum, powder-coated steel, spray paint on cut wood, 253 x 187 cm
  • Jason Wee, Labyrinths (Need Air), 2017, galvanized steel, printed cotton, emulsion paint, teak laminate, plywood, mirror, watercolour on cold press paper, acrylic panel, 200 x 143 cm
  • Jason Wee, Labyrinths (Wayfinding), 2017, galvanized steel, aluminium, chiffon print, C-print on PVC, teak laminate on plywood, watercolour on cold press paper, 200 x 183 cm
  • Jason Wee, Labyrinths (Open Fire), 2017, galvanized steel, watercolour on cold press paper, acrylic panel, chiffon print on plywood, coated steel, 200 x 164 cm
  • Jason Wee, Labyrinths (Sungei Road), 2017, galvanized steel, mirrors, cotton, rubber-coated fencing, powder-coated steel, dimensions variable, 209 x 168 cm
  • Jason Wee, Labyrinths (Obstacle Course), 2017, galvanized steel, watercolour on cold press paper, army rope in two shades, 253 x 120cm
  • Jason Wee, Labyrinths (Out of the Cl_s_t, Into the C_ge), 2017, galvanized steel, wool, 200 x 120 cm
  • Jason Wee, Labyrinths (Barriers Closer to Shore), 2017, galvanized steel, aluminium, C-print on PVC, marble laminate on plywood, 242 x 180 cm
ARTIST

Jason Wee

Jason Wee (b. 1979, Singapore) is an artist and a writer working between contemporary art, architecture, poetry and photography. His art practice contends with sources of singular authority in favour of polyphony and difference. He transforms these histories and spaces into various visual and written materials, and is keenly interested in their secrets and their futures, their idealisms and their conundrums. Wee is the founder and director of Grey Projects, an artists’ space, library and residency that focuses on curatorship, new writing, design propositions and art.

His art is recently seen in the Kochi-Muziris Biennale, India (2022-2023), Other Futures Festival Amsterdam (2023) and past exhibitions include: the 6th Singapore Biennale (2022), Para Site, Hong Kong (2021), the Chelsea Art Museum, the 1st Asia Society Triennial, Asia Society Museum, New York, USA (2020), ArtScience Museum, Singapore (2019), Institut für Auslandsbeziehungen, Berlin, Germany (2015, 2009), Casino Luxembourg, Luxembourg (2009), Singapore Art Museum, Singapore (2015) and amongst others.

Residencies and fellowships include The Arts House-National University of Singapore (2014-2015), ZKU Berlin (2016), NTU-CCA Singapore (2016-2017), and New Museum NTU-CCA IdeasCity (2020). In 2019, he curated Stories We Tell To Scare Ourselves With at MOCA Taipei. In 2015, he curated Singapur Unheimlich at ifa galerie Berlin and Stuttgart. Other curatorial projects include Beyond LKY (2010), Useful Fictions by Shubigi Rao (2013), When You Get Closer To The Heart, You May Find Cracks by the Migrant Ecologies Project (NUS Museum, 2014). His artist-initiated projects include Walk Walk Don’t Run (Islandwide Singapore, 2023, 2021), Tomorrow Is An Island (Villa Vassilieff, 2016), ART OPENINGS: The Expanded Field of Art Writing (NTU CCA Singapore, 2018) and PostSuperFutureAsia (Taipei Contemporary Art Center 2017, Ilmin Museum, 2019).

He’s the author of three poetry collections, including In Short Future Now (Sternberg Press, 2020). He edited numerous publications including the bestselling SQ21: Singapore Queers in the 21st Century (Math Paper Press).