• Alvin Ong, Binge Watch, 2021, oil on canvas, 200 x 250 cm
  • Alvin Ong, Conversation, 2021, oil on canvas, 200 x 175 cm
  • Alvin Ong, Desktop, 2021, oil on canvas, 200 x 150 cm
  • Alvin Ong, Night walk, 2021, oil on canvas, 200 x 250 cm
  • Alvin Ong, Waiting, 2021, oil on canvas, 26 x 20 cm
  • Alvin Ong, Window, 2021, oil on canvas, 175 x 155 cm
  • Alvin Ong, Studio, 2021, oil on canvas, 200 x 175 cm
  • Alvin Ong, Earworm, 2021, oil on canvas, 26 x 20 cm
  • Alvin Ong, Sync, 2021, oil on canvas, 26 x 20 cm
  • Alvin Ong, Echo, 2021, oil on canvas, 26 x 20 cm
  • Alvin Ong, Rempah, 2021, oil on canvas, 200 x 150 cm
  • Alvin Ong, Monument, 2021, turmeric, coffee, chilli and ink on paper, 77 x 70 cm (paper size)
  • Alvin Ong, Midnight diner, 2021, turmeric, coffee, chilli and ink on paper, 79 x 67 cm (paper size)
  • Alvin Ong, Memory Palace, 2021, turmeric, coffee, chilli and ink on paper, 70 x 53 cm (paper size)
  • Alvin Ong, Mood: Nov, 2021, turmeric, coffee, chilli and ink on paper, 35 x 27 cm (paper size)
  • Alvin Ong, Sound and Vision, 2021, oil on canvas, 77 x 66 cm
EXHIBITION

Alvin Ong

Binge Watch

14 January - 9 February 2022

Yavuz Gallery is pleased to present Binge Watch, a new body of work reflecting Alvin Ong’s continued interest in the physicality of the body, and how human experiences of inhabitation are being reshaped in the current moment.

Characterised by fluid compositions and surrealist forms, these dreamy, introspective paintings draw from the artist’s lived experience, as well as his own fertile imagination. Oscillating between restlessness and desire, the figure is presented as a site of metamorphosis: distorting and colliding with one another, as though wrought by internal conflict. Flowing forms fuse the external with the internal, accentuating the relationship between the mind and body, capturing the ephemerality of a collective psyche.

In Binge Watch, the body’s appetites unfurl in a spectacle of fragmented, yet intimate scenes, through which audiences are implicated as flaneur and voyeur. Framed by the pictorial screens they inhabit, faces are set against surreal hues evoking both natural and artificial light. Limbs grasp and idly reach for each another and their electronic devices in search of connectivity. Eyelids are often shut, dreamy, introspective and restless. Pictorial screens and objects are used to simultaneously demarcate and complicate exterior and interior realms. Food references and smart phones are a recurrent motif, functioning as physical projections and manifestations of multiple interior lives and desires, as they have increasingly become, in the words of the artist, “the mediums through which we relate to one another and create communal experiences, at this moment in time.”