• Pinaree Sanpitak, Bodily Space II, 2018-2019, acrylic, textile, paper on canvas, 130 x 260 cm (diptych). Photo by Aroon Permpoonsopol.
  • Pinaree Sanpitak, Body of Fragmented Memories I, 2019, textile, paper, modelling paste, acrylic, ink on canvas, 180 x 130 cm. Photo by Aroon Permpoonsopol.
  • Pinaree Sanpitak, Body of Fragmented Memories II, 2019, textile, paper, acrylic on canvas, 180 x 130 cm. Photo by Aroon Permpoonsopol.
  • Pinaree Sanpitak, Body of Fragmented Memories III, 2019, paper, acrylic, charcoal, pastel on canvas, 180 x 130 cm. Photo by Aroon Permpoonsopol.
  • Pinaree Sanpitak, Body of Fragmented Memories IV, 2019, paper, acrylic on canvas, 180 x 130 cm. Photo by Aroon Permpoonsopol.
  • Pinaree Sanpitak, Body of Fragmented Memories V, 2019, textile, paper, acrylic on canvas, 180 x 130 cm. Photo by Aroon Permpoonsopol.
  • Pinaree Sanpitak, Red Alert! My Body My Space II, 2018-2019, acrylic, colour pencil, textile, paper on canvas, 250 x 250 cm. Photo by Aroon Permpoonsopol.
  • Pinaree Sanpitak, Body Lyrics, 2017-2018, acrylic, pencil, textile on canvas, 250 x 250 cm. Photo by Aroon Permpoonsopol.
  • Pinaree Sanpitak, Bodily Space I, 2017-2019, textile, paper, acrylic on canvas, 260 x 150 cm (diptych). Photo by Aroon Permpoonsopol.
  • Pinaree Sanpitak, Black Dreams I, 2019, paper, textile, jute, acrylic, ink on canvas, 200 x 200 cm. Photo by Aroon Permpoonsopol.
  • Pinaree Sanpitak, Black Dreams II, 2019, paper, charcoal, pastel on canvas, 200 x 200 cm. Photo by Aroon Permpoonsopol.
  • Pinaree Sanpitak, Black Dreams III, 2019, paper, wood, canvas, charcoal, acrylic, ink on canvas, 200 x 200 cm. Photo by Aroon Permpoonsopol.
  • Pinaree Sanpitak, Red Alert! My Body My Space I, 2018-2019, acrylic, pencil, textile, paper on canvas, 250 x 250 cm. Photo by Aroon Permpoonsopol.
EXHIBITION

Pinaree Sanpitak

Bodily Space: Confessed and Concealed

12 Oct - 17 Nov 2019

Yavuz Gallery Singapore is proud to present internationally-acclaimed Thai artist Pinaree Sanpitak in her solo exhibition, Bodily Space: Confessed and Concealed. 

Over the period of three decades, Sanpitak’s practice has expanded from painting and collage to other media, spanning across sculpture, installation, print and participatory projects. Undergirding this diverse practice is her consistent engagement with the human body as a key thematic subject and iconography. Distilled into primal and minimal forms, the body is always present corporeally, viscerally occupying space. In some works, it is represented as a corpus — two curving lines alluding to a torso without beginning or end. Mostly, the body is fragmented into exposed and disjoined parts, with the female breast as a recurring motif. The sensuality of her works, the term speaking to both of the erotic and the sensorial, is derived from this delineation of the body as unconcealed and uncontainable.

In Bodily Space: Confessed and Concealed, the artist returns to her original medium of painting and collage. The expressive force of these works is found in the complex interplay of form, line, colour, and texture. Together, they reflect Sanpitak’s present state of mind, revealing a wider, more tender and more profound treatment of the body as subject and form.

Accompanying the exhibition is an illustrated catalogue with an essay by Vipash Purichanont, an independent curator and lecturer at the department of Art History at Silpakorn University, Bangkok.