• Manit Sriwanichpoom, Pink MARS #1, 2025, Metal print, 40 x 60 cm, Edition of 5 + 1 AP 
  • Manit Sriwanichpoom, Pink MARS #2, 2025, Metal print, 40 x 60 cm, Edition of 5 + 1 AP 
  • Manit Sriwanichpoom, Pink MARS #7, 2025, Metal print, 40 x 60 cm, Edition of 5 + 1 AP 
  • Manit Sriwanichpoom, King Rama IV #2, 2014, archival print on canvas, 50 x 50 cm / 100 x 100 cm
  • Manit Sriwanichpoom, King Rama V #1, 2014, archival print on canvas, 50 x 50 cm / 100 x 100 cm
  • Manit Sriwanichpoom, King Rama VII, 2014, archival print on canvas, 50 x 50 cm / 100 x 100 cm
  • Manit Sriwanichpoom, Queuing for Happiness (detail), 2014, archival print, 33 x 210 cm / 110 x 704 cm
  • Manit Sriwanichpoom, The Parliament of Happy Generals (1), 2014, archival print, 62.5 x 50 cm / 125 x 100 cm
  • Manit Sriwanichpoom, The Parliament of Happy Generals (2), 2014, archival print, 62.5 x 50 cm / 125 x 100 cm
  • Manit Sriwanichpoom, The Parliament of Happy Generals (3), 2014, archival print, 62.5 x 50 cm / 125 x 100 cm
  • Manit Sriwanichpoom, Ratchadamnoen Motor Show #1, 2014, light box, 61 x 51 cm
  • Manit Sriwanichpoom, Ratchadamnoen Motor Show #4, 2014, light box, 61 x 51 cm
  • Manit Sriwanichpoom, Ratchadamnoen Motor Show #13, 2014, light box, 61 x 51 cm
  • Manit Sriwanichpoom, The Last Photograph of the King of Siam, 2016, archival print, 29.7 x 21 cm
  • Manit Sriwanichpoom, Siam Eclipse 1868, 2016, VDO, no sound, 2’13”
  • Installation view of Fear, 2016
  • Installation view of Fear, 2016
  • Manit Sriwanichpoom, Pink Man: The Icon of Consumerism, 2007, acrylic, resin and metal, 40 x 30 x 14.5cm
  • Manit Sriwanichpoom, Pink Man Meets Lord Shiva, 2013, mixed media, dimensions variable
  • Manit Sriwanichpoom, Pink Man Meets Lord Buddha, 2013, mixed media, dimensions variable
  • Manit Sriwanichpoom, Glass Buddha #03, 2012, archival print / duratan print, 120 x 94cm / 60 x 47cm
  • Manit Sriwanichpoom, Glass Buddha #02, 2012, archival print / duratan print, 120 x 94cm / 60 x 47cm
  • Manit Sriwanichpoom, Glass Buddha #06, 2012, archival print / duratan print, 120 x 94cm / 60 x 47cm
  • Manit Sriwanichpoom, Glass Buddha #10, 2012, archival print / duratan print, 120 x 94cm / 60 x 47cm
  • Manit Sriwanichpoom, Glass Buddha #15, 2012, archival print / duratan print, 120 x 94cm / 60 x 47cm
  • Manit Sirwanichpoom, Masters 003, 2009, gelatin silver print, 25.4 x 25.3 cm / 60.9 x 50.8 cm / 125 x 100 cm
  • Manit Sirwanichpoom, Masters 005, 2009, gelatin silver print, 25.4 x 25.3 cm / 60.9 x 50.8 cm / 125 x 100 cm
  • Manit Sirwanichpoom, Masters 010, 2009, gelatin silver print, 25.4 x 25.3 cm / 60.9 x 50.8 cm / 125 x 100 cm
  • Manit Sirwanichpoom, Masters 017, 2009, gelatin silver print, 25.4 x 25.3 cm / 60.9 x 50.8 cm / 125 x 100 cm
  • Manit Sriwanichpoom, Holy Machismo (HM010), 2009, gelatin silver print, 60.9 x 50.8cm / archival ink on archival paper, 125 x 100cm
  • Manit Sriwanichpoom, Dead Chicken and Thai, 2008, lambda print, 101.6 x 76.2cm
  • Manit Sriwanichpoom, Dead Dove on Thai Flag, 2008, lambda print, 101.6 x 76.2cm
  • Manit Sriwanichpoom, Pig's Heart on Thai Flag, 2008, lambda print, 101.6 x 76.2cm
  • Manit Sriwanichpoom, Election of Hatred (No Vote #1), 2011, pigment print, 100 x 66cm
  • Manit Sriwanichpoom, Election of Hatred (No Vote #2), 2011, pigment print, 100 x 66cm
  • Manit Sriwanichpoom, Jatukam, 2010, digital print, 30 x 30 cm / 60 x 60 cm (each)
ARTIST

Manit Sriwanichpoom

One of Southeast Asia’s leading photographic artists, Manit Sriwanichpoom (b. 1961) has made a career of icon-study in the Thai context, creating an original body of work that reveals Thailand in all her contemporary socio-political complexity. A former photojournalist, he is perhaps best known for his still-ongoing Pink Man series, which operates as an ironic and sometimes pathos- injected critique of consumer culture in Thailand and wider Asia.

Sriwanichpoom has exhibited worldwide, including the 50th Venice Biennale in 2000 and the 6th Asia Pacific Triennial in 2009. He is collected by the Maison Europeenne de la Photographie (Paris), DG Bank (Germany), ABN-AMRO Bank (Netherlands), Fukuoka Asian Art Museum (Japan), Singapore Art Museum (Singapore), Queensland Art Gallery (Australia), Vehbi Koç Foundation (Turkey) and numerous international private collections. In 2007, Sriwanichpoom was awarded Japan’s prestigious Higashikawa Photo Fiesta Prize, and in 2014 the Chevalier des Arts et Lettres by French Ministry of Culture & Communication.

Exhibitions