‘An odd work that has borne the brunt of my grief’: the serenity and the grit of Stanislava Pinchuk’s The Theatre of War

3 Mar 2024

The Conversation reviews Stanislava Pinchuk's latest video work now showing at ACMI

The World Premiere of “Stanislava Pinchuk: The Theatre of War”

9 Feb 2024

The World Premiere of "Stanislava Pinchuk: The Theatre of War"

Axionome a data-driven mural and light animation by Stanislava Pinchuk

8 Nov 2023

Stanislava Pinchuk's 'Axionome' is a minimalist mural by day, and a gauge for Melbourne’s climate-change driven temperature deviation by night

He Art Museum acquires Stanislava Pinchuk’s monumental 76-piece marble installation

3 Nov 2023

Stanislava Pinchuk acquired by He Art Museum

Stanislava Pinchuk’s commission for Vogue China in collaboration with Reven Lei

16 Sep 2023

Stanislava Pinchuk for Vogue China

Stanislava Pinchuk’s grand installation at the upcoming Art Basel Hong Kong

18 Feb 2023

Stanislava Pinchuk will present at the Encounters sector of Art Basel Hong Kong with her work titled, The Wine Dark Sea

Radio Free Europe interviews Stanislava Pinchuk on the occasion of Manifesta 14

11 Aug 2022

"My monument is made of scaffolding, which reminds of how Bogdanovich created his monument, covering the frame with concrete and thus forming a utopia, a statement of intent" Stanislava Pinchuk on Europe Without Monuments

Neo2 Magazine Reviews Manifesta 14 featuring Stanislava Pinchuk

11 Aug 2022

Neo2 Magazine from Spain reviews Manifesta 14, featuring Europe Without Monuments.

A*DESK Spotlights Manifesta 14, including Stanislava Pinchuk’s Europe Without Monuments

11 Aug 2022

María Muñoz form A*DESK spotlights the 14th edition of Manifesta

ABC Radio The Art Show Interviews Stanislava Pinchuk on her participation at Manifesta 14

5 Aug 2022

ABC News radio's programme, The Art Show interviews Stanislava Pinchuk on Manifesta 14.

“A thoughtful meditation on the positive potential and danger of monuments”: The Art Newspaper on Stanislava Pinchuk’s Europe Without Monuments

3 Aug 2022

Jonathan Wiggin from The Art Newspaper reviews Manifesta 14, naming the ambitious biennial a "hit"

“Ukrainian puts art in Kosovo’s ‘open wound'” Puls 24 on Stanislava Pinchuk

2 Aug 2022

Puls 24: The Most Politically Relevant Work in the 14th Edition of Manifesta

“The most effective and emblematic artistic intervention”, Art Agenda on Stanislava Pinchuk

2 Aug 2022

Art Agenda's Cathryn Drake spotlights Stanislava Pinchuk at Manifesta 14 Prishtina

Stanislava Pinchuk at the 14th European Nomadic Biennial, Manifesta Prishtina

30 Jul 2022

Stanislava Pinchuk at Manifesta 14, Europe's Nomadic Biennial

ARTFORUM features Stanislava Pinkchuk,The Wine Dark Sea

10 May 2022

Stanislava Pinchuk features in ARTFORUM

The Art Newspaper commends Stanislava Pinchuk for The Wine Dark Sea

9 Mar 2022

The Art Newspaper spotlights Stanislava Pinchuk's installation at the Adelaide Biennial

Stanislava Pinchuk in the Adelaide Biennial of Australian Art: Free/State

6 Mar 2022

Stanislava Pinchuk presents a new body of work at Art Gallery of South Australia for 'Free/State'

Fremantle Arts Centre presents The Archaeology of Loss by Stanislava Pinchuk

30 Jul 2021

Ukrainian-Australian artist Stanislava Pinkchuk presents her first Western Australian exhibition 'The Archaeology of Loss'

Stanislava Pinchuk at Heide Museum of Modern Art

6 Apr 2021

Stanislava Pinchuk's debut career survey exhibiton "Terra Data" is now on view at Heide Museum of Modern Art until 20 June.

Announcing Representation of Stanislava Pinchuk

4 Mar 2021

Now representing: Stanislava Pinchuk